Tuesday, March 17, 2020

criminal Justice

Every day, across America, crimes are being committed, criminals are being apprehended, and then processed through the justice system. While this cycle is taking place, the media has to decide which of these stories will get the front page of the newspaper, which story will talk radio discuss during your morning traffic jam, and what stories could possibly be turned into made for T.V. movies. The news organizations can cover any stories that they choose, good or bad. More often than not they will cover a story involving some heinous and atrocious act. Something so bad that it will make people ask, â€Å"What kind of person could do such a thing?† While this is part of the media’s responsibility, they tend to single out certain crimes and use the victims and the defendants as characters for their own brand of reality television. One example of this was the recent trial of California manure salesman, Scott Peterson. For over one year, all major American news networks devoted hours of time each day to covering the testimonies and evidence that eventually led to his murder conviction. While this was taking place, day in and day out, there were many more everyday crimes that no one, aside from the people involved, ever heard about. Shortly after the verdict in the Scott Peterson case, a 36 year-old man by the name of Chai Vang murdered six people, men and women, on the opening weekend of deer season, after a dispute with him for hunting on their land. For one reason or another, this story has not received much publicity nationwide. Sometimes the name of the defendant alone is enough to cause the media to go into a frenzy. In the summer of 1994, retired football star and Hertz rental car spokesperson O.J. Simpson was arrested for the murder of his ex-wife, Nicole Brown Simpson and Beverly Hills waiter, Ronald Goldman. In the media’s eyes, this story took top priority over all most everything else happening in the world. Eventually, Mr... criminal Justice Free Essays on Media/criminal Justice Every day, across America, crimes are being committed, criminals are being apprehended, and then processed through the justice system. While this cycle is taking place, the media has to decide which of these stories will get the front page of the newspaper, which story will talk radio discuss during your morning traffic jam, and what stories could possibly be turned into made for T.V. movies. The news organizations can cover any stories that they choose, good or bad. More often than not they will cover a story involving some heinous and atrocious act. Something so bad that it will make people ask, â€Å"What kind of person could do such a thing?† While this is part of the media’s responsibility, they tend to single out certain crimes and use the victims and the defendants as characters for their own brand of reality television. One example of this was the recent trial of California manure salesman, Scott Peterson. For over one year, all major American news networks devoted hours of time each day to covering the testimonies and evidence that eventually led to his murder conviction. While this was taking place, day in and day out, there were many more everyday crimes that no one, aside from the people involved, ever heard about. Shortly after the verdict in the Scott Peterson case, a 36 year-old man by the name of Chai Vang murdered six people, men and women, on the opening weekend of deer season, after a dispute with him for hunting on their land. For one reason or another, this story has not received much publicity nationwide. Sometimes the name of the defendant alone is enough to cause the media to go into a frenzy. In the summer of 1994, retired football star and Hertz rental car spokesperson O.J. Simpson was arrested for the murder of his ex-wife, Nicole Brown Simpson and Beverly Hills waiter, Ronald Goldman. In the media’s eyes, this story took top priority over all most everything else happening in the world. Eventually, Mr...

Sunday, March 1, 2020

Extended Metaphors Definition, Examples and more!

Extended Metaphors Definition, Examples and more! Extended Metaphors: Definition, Examples and more! Of all the literary devices that writers use to bring their stories to life, a metaphor remains one of the most popular. The act of comparing one thing to another may sound simple, but it's proved popular over the centuries, as authors, poets, songwriters and everyday people wield it to explain something in non-literal terms.But what happens when a metaphor expands and becomes more than just a passing reference? Well, that’s exactly what this post is all about: the extended metaphor. What's the definition of an "extended" metaphor? What is an extended metaphor?An extended metaphor is a rhetorical technique that explains a concept by directly mentioning another concept and drawing multiple parallels between them. It is often used to explain a complex idea - allowing readers or listeners to visualize it in terms that they already understand.In a sense, it’s exactly what it says on the tin: a metaphor that takes the comparison a few steps further. As an example, if you wanted to explain how a traditional publishing house works with an author, you might compare it to a football team like so:The author is the quarterback, making the plays and taking the glory;The acquiring editor is the coach, calling the shots and giving the QB a team that compliments his skill set; andThe proofreader is the offensive tackle, protecting the ball-carrier from outside attacks. Preparing for a blitz from the Barnes Noble merchandising dept. (Photo by Alora Griffiths)Of course, every extended metaphor has its limits. You very rarely find perfect analogies that seamlessly map one idea onto another - so this is where someone might say that a metaphor is â€Å"falling apart†:The publicist is the, er, punter†¦ helping the team get better field position after a few setbacks?What is the effect of using extended metaphors?You may already have picked up on a few key reasons why writers use extended metaphors.They can help explain a complex idea in simple terms. The example of the football team is an attempt to communicate the interpersonal dynamics of an author-publisher relationshipSome authors use them for humor - purposefully mining the absurdity of a torturously drawn-out metaphor for comedic effect. After a while, comparing a government cabinet to V8 engine just gets silly: â€Å"The Secretary of Agriculture is the carburetor - supplying the pi stons (the population) with fuel (grain) and air (dairy).†Perhaps most importantly, writers use extended metaphors to evoke emotions and imagery when they’re writing about something that’s abstract. One of the most commonly cited metaphors comes from Shakespeare’s As You Like It. Jaque, a cynical nobleman, ruminates on the idea of free will and the significance of the individual through the metaphor of a play.All the world’s a stage,And all the men and women merely players;They have their exits and their entrances;And one man in his time plays many parts,His acts being seven ages.Instead of waxing on about predeterminism, Shakespeare asks you to think of an actor following the stage directions and reading his lines. He deals with an intellectual idea by imbuing it with an emotional and visual hook. Audiences might struggle to â€Å"see† existential dread - but they can easily imagine metaphorical actors going through the motions night after night (and twice on Wednesdays).Learn more about how Reedsy can help you craft a beautiful book.9 examples of extended metaphorsIn the proud tradition of â€Å"show don’t tell,† let’s dig into some extended metaphor examples that we’ve taken from literature, poetry, film, and music. We’ll also decipher what they mean - just so we’re not left in the dark (metaphor!). 9 extended metaphors from Sylvia Plath to Hall Oates. Example #1: Romeo and Juliet by William ShakespeareBut soft! What light through yonder window breaks?It is the East, and Juliet is the sun!Arise, fair sun, and kill the envious moon,Who is already sick and pale with grief.Decoded: In this soliloquy, Romeo compares the object of his affection to the sun: a radiant, untouchable figure. Extending the analogy, he wishes that she would rise quicker and chase away the moon, which pales in comparison to the beauty of Juliet.Example #2: â€Å"Stillborn† by Sylvia PlathThese poems do not live: it's a sad diagnosis.They grew their toes and fingers well enough,Their little foreheads bulged with concentration.If they missed out on walking about like peopleIt wasn't for any lack of mother-love.Decoded: In a particularly morbid example of her work, Plath describes the pain of her craft - comparing the labor of writing a disappointing poem with the trauma of losing a child at birth. One can imagine that the fingers and toes are meant to rep resent the meter of her verse and the concepts behind a poem: conceptually perfect, yet somehow tragically lacking.Example #3: â€Å"Hope Is the Thing With Feathers† by Emily Dickinson Hope! (Photo by Boris Smokrovic)Hope is the thing with feathersThat perches in the soul,And sings the tune - without the words,And never stops at all,And sore must be the stormThat could abash the little birdThat kept so many warm.Decoded: In a similar vein, Alexander Pope once wrote that â€Å"Hope springs eternal in the human breast; Man never Is, but always To be blest.† One could argue that Dickinson brings the same idea to life #4: Us by Jordan Peele**Spoilers ahead**In the 2019 domestic horror film, an affluent African-American family is terrorized by a family of twisted doppelgangers. As the story unfolds, we learn that there is an entire nation of ‘tethered’ twins who live underground - and now they’re looking to separate themselves from their above-ground counterparts.Decoded: Peele’s writing is careful not to make the doppelgangers a metaphor for any single thing. However, many interpret them to represent America’s underclass - such as largely ignored immigrant communities who toil so that the upper-classes may live in comfort.Just as in poetry, some of the best songs often revolve around a central metaphor. After all, there are only so many ways you can write a lit eral song about falling in love.Example #5: â€Å"Hound Dog,† Elvis PresleyYou ain't nothin' but a hound dogCryin' all the timeYou ain't nothin' but a hound dogCryin' all the timeWell, you ain't never caught a rabbit and you ain't no friend of mine Decoded: Presley disparages the subject of the song, calling them a dog. He then extends the analogy by saying that they have also failed to catch a rabbit - telling them that they are worthless and classless. The King could be a cold, cold man.Example #6: â€Å"Life is a Highway,† Rascal FlattsLife's like a road that you travel onWhen there's one day here and the next day goneSometimes you bend and sometimes you standSometimes you turn your back to the windDecoded: The title sorts of decodes it all for you. Life is transient: it turns unexpectedly and often it grinds to a halt. That being said, turning one’s back to the wind is more of a nautical concept, which is where the metaphor breaks down.Example #7: â€Å"Fish†, Aaron WatsonThen you throw out a line, reel it back inIf you catch a boot, you gotta cast it out againYou know you’ll never catch a keeperIf you sit around and crySo get back in that boat and fishDecoded: Playing on the old saying of †Å"plenty more fish in the sea,† Watson’s song plays up the angling angle by throwing in more fishing references. The boot presumably refers to an unsuitable partner.Example #8: â€Å"One on One,† Daryl Hall John OatesI'm tired of playing on the teamIt seems I don't get time out anymoreWhat a change if we set the pace face to faceNo one even trying to score, ohDecoded: Few people get that the literal reading of this song is about basketball - even the title is a direct hoops reference. However, within the context of the music, we can infer that Daryl Hall is tired of treating romance as a â€Å"team game† (rock and roll!) and is ready to settle down for some one-on-one.Example #9: â€Å"The Gambler,† Kenny RogersYou've got to know when to hold 'emKnow when to fold 'emKnow when to walk awayAnd know when to runYou never count your moneyWhen you're sittin' at the tableThere'll be time enough for countin'When the dealin's doneDecoded: The protagonist o f the song meets a gambler on the train. Having won all of the singer’s money, the card sharp offers gambling tips - but in this context, poker is a metaphor for life!And there you have it - a cornucopia of extended metaphors, filled to the brim with delicious analogies. The next time you’re writing something, why not try one out for yourself? You might decide it’s not your style or you may find that they’re just your cup of tea (okay, last metaphor).What examples have we missed out on? Let us know in the comments below.